Jazz International
Jazz in China
The Jazz in China Book and Documentary Story
In early 2000 Professor Eugene Marlow, Ph.D. was asked by a colleague in the Department of English, Baruch College (City University of New York), if he would be interested in travelling to Shanghai, China to deliver a series of lectures on America media—newspaper, magazines, radio, television, cable, and the Internet. That summer, Dr. Marlow was on a plane to Shanghai, China, looking forward to speaking to graduate and undergraduate students at the University of Shanghai School of Film and Television.
During this two-week trip, Marlow was invited to a performance of the Peace Hotel Jazz Band in Downtown Shanghai—Marlow is himself a composer and jazz pianist. This performance sparked his curiosity to research the presence of jazz—an improvisational, democratic form of music—in a country with a 5,000-year history of adherence to a central authority.
In 2006 Marlow returned to China (Shanghai and Beijing) to interview indigenous jazz musicians, among others, as part of research for a comprehensive book on jazz in China. In 2018 the book was published by the University Press of Mississippi and acclaimed as one of the five best books on jazz by the Jazz Journalists Association. Dr. Marlow—who has produced several hundred video programs and garnered 30 awards for programming excellence—is now on the verge of completing a feature-length documentary that focuses on the 100-year history of jazz in China. Marlow intends to release the documentary on International Jazz Day, April 30, 2022.
To learn more about Eugene Marlow, click here.
Is There Jazz in China?
The advent of jazz in China is an enigma. Chinese classical music bears only some resemblance to western music; on the other hand, European music (along with African musical traditions) forms the foundation for the development of jazz in the United States. Chinese culture–rooted in a strong nationalist feeling, especially since the King of Qin consolidated the nation in the third century B.C., and strong, highly traditional community feelings–bears little resemblance to western culture. Politically, economically, socially, China’s cultural values are uniquely eastern and can be difficult for the western mindset to understand.
About the Project
The Jazz in China Project juxtaposes two central elements: jazz (as a western cultural element) and Chinese culture (clearly an eastern culture). The combination of these two disparate elements makes for a compelling story.
In effect, the story of jazz in China parallels the story of China itself in the 20th century and the very early part of the 21st century. For example, the introduction of jazz into China in the early part of the 20th century is a doorway into a description of China’s evolution in the 20th century.
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Milestones and Accolades
FEBRUARY 2023
Dr. Marlow participates in two events hosted by the Northwest China Council, out of Portland, Oregon: a “book talk” (via Zoom), re: Marlow’s 2018 book on jazz in China (University Press of Mississippi) on February 15, and a “movie chat” talk (also via Zoom) on Marlow’s award-winning, feature-length documentary on “Jazz in China” on February 27.
DECEMBER 15, 2022
ANOTHER JUST FOUND REVIEW OF THE BOOK: “BEST JAZZ BOOKS OF 2018.”
DECEMBER 15, 2022
JUST FOUND REVIEW OF THE DOCUMENTARY: A review of the documentary in “The Feedback Society” by Robert Barry Francos from May 2021.
NOVEMBER 2022
ARTICLE PUBLISHED: Dr. Marlow’s article “Jazz in China: The Book, The Documentary, the Journey,” is published in SBO Magazine (which reaches 36,000 educators).
NOVEMBER 19, 2022
Dr. Marlow receives the 2022 American Insight “Free Speech Film Festival” award in a ceremony at Cliveden in Philadelphia. In addition to a “Liberty Bell,” the first prize came with a $1,000 honorarium.
AUGUST 13
JAZZ IN CHINA DOCUMENTARY AWARD: Eugene Marlow’s feature-length documentary “Jazz in China” is the recipient of an “Award of Excellence” from the “2022 Depth of Field International Film Festival.” The festival received close to 400 entries from 23 countries.
AUGUST 9
JAZZ IN CHINA ZOOM PRESENTATION: Dr. Eugene Marlow is interviewed on Zoom by the University of Chicago/Hong Kong about his feature-length documentary “Jazz in China.” Dr. Marlow shows a 15-minute portion of the documentary followed by a Q&A session. The full-length, 60-minute documentary is an official selection at 10 domestic and international film festivals.
AUGUST 3
JAZZ IN CHINA IN-PERSON PRESENTATION: Dr. Eugene Marlow gives a talk on “Jazz in China: The Documentary” at the Basalt (Colorado) Public Library. He shows the feature-length documentary in its entirety, followed by a Q&A session. Presentation starts at 5:30.
AUGUST 1
JAZZ IN CHINA IN-PERSON PRESENTATION: Dr. Eugene Marlow gives a talk on “Jazz in China: The Book/The Documentary” at the Aspen Composers Conference, Aspen, Colorado. Dr. Marlow shows a 15-minute portion of the documentary, followed by a comparison of writing the book vs. producing the documentary.
FEBRUARY 8, 2022
Editing the “Jazz in China” documentary was completed the afternoon of February 8, 2022. The audio mix is scheduled for February 22, 2022, at Onomatopoeia (New York City). Since the last update to this story, Dr. Marlow has been invited to give a talk on his documentary journey by the University of Chicago/Hong Kong on April 21, 2022, via Zoom. As previously noted, Judy Carmichael, host of NPR’s “Jazz Inspired,” will replay her 2019 interview with Dr. Marlow (re: about his 2018 book) the week of April 2-8, 2022. She intends to mention the documentary at the head of the replay. The “official” release of the documentary will be April 30, 2022, International Jazz Day on UNESCO’s website devoted to the annual event. Dr. Marlow is also scheduled to give talks on his book and documentary at the Aspen Composers Conference (Aspen, Colorado) on August 1 and then at the Basalt Public Library (Basalt, Colorado) on August 3. Marlow plans to enter the documentary in various festivals as a next step in promoting it.
JANUARY 27, 2022
In addition to a talk on the “Jazz in China” documentary scheduled for August 1 at the Aspen Composers Conference (Aspen Institute, Aspen Colorado), Dr. Marlow has been invited to participate in a webinar sponsored by UChicago Yuan Hong Kong on “Jazz in Asia” scheduled for April 21. Dr. Marlow has also arranged for the documentary to be “officially” released on April 30, 2022, International Jazz Day. The feature-length documentary will be available for streaming only free of charge globally on the International Jazz Day website.
JANUARY 14, 2022
Producer/Director Eugene Marlow decides that the documentary needs a very short sequence dealing with the Tiananmen Square incident in Beijing on June 4, 1989. Its relevance to the jazz in China story is that while rock ‘n roll was seen as subversive by the Chinese authorities, jazz was not seen as a threat. As a direct result, a new generation of Chinese jazzers emerged, including pianist Kong Hongwei, vocalist Jasmine Chen, and virtuoso pianist A Bu (who is now studying at the Juilliard School in New York City. Jasmine Chen appeared in the highly successful film “Crazy Rich Asians.” The Tiananmen Square photos were dropped in on January 27. An audio mix is projected for some time in mid-February.
DECEMBER 23, 2021
The final version of the “Jazz in China” documentary is completed, with the audio mix scheduled for mid-January 2022 at Onomatopoeia (New York City). Dr. Marlow’s plan is to submit the one-hour-long documentary to various festivals before attempting to distribute it to various markets. He also plans to give it a 24-hour window as an “official event” of International Jazz Day, April 30, 2022. Marlow gives much credit for the “improved” version of the documentary to his latest editor, Jiefei “Faye” Yuan: “She found ways to integrate the material more efficiently. And as we worked on it, numerous cuts became obvious. It’s a tighter, more effective documentary now,” Marlow observed.
OCTOBER 1, 2021
After not reviewing the “fine cut” of the “Jazz in China” documentary, producer/director Eugene Marlow decided that the feature-length documentary needed some re-structuring to put more emphasis on the juxtaposition of China’s adherence to a central style of governance and the freedom of expression through improvisation that is inherent in jazz performance. He starts working with Jiefei Yuan, a Shanghai-born editor, to re-edit the documentary. It is expected the documentary will be shorter and more integrated. The overall narrative will also be clearer and stronger.
APRIL 26, 2021
The fine cut of “Jazz in China” documentary was technically completed on April 19, 2021 (although there might be a few tweaks here and there). As mentioned below, the documentary has become an “official” event of International Jazz Day, April 30, 2021. More good news, Dr. Marlow was invited to comment on the forthcoming Montreux Jazz Festival to take place in Hangzhou, China in October 2021 for an article to be published in the South China Morning Post. He was also invited to draft a guest blog on his publisher’s (University Press of Mississippi) website to coincide with the official release of the documentary. On April 27, Marlow will be interviewed by Chinese Television. It will be aired in connection with the aforementioned International Jazz Day.
In May, Dr. Marlow intends to manufacture DVDs of the documentary for further distribution. Showings at various festivals are targeted for fall 2021.
MARCH 1, 2021
The United Nations Educational, Scientific and Cultural Organization (UNESCO), sponsor of the annual April 30 International Jazz Day, has invited Dr. Eugene Marlow, producer/director of the forthcoming feature-length documentary “Jazz in China,” to announce the documentary’s completion on its website as an “official event” of International Jazz Day 2021. There are jazz performances all over the planet on this day. International Jazz Day is chaired and led by UNESCO Director General Audrey Azoulay and legendary jazz pianist and composer Herbie Hancock, who serves as a UNESCO Ambassador for Intercultural Dialogue and Chairman of the Herbie Hancock Institute of Jazz.
FEBRUARY 10, 2021
Tomorrow (February 11, 2021) we take an important step in editing the “Jazz in China” documentary. A few months ago I hired a crew in Shanghai, China to shoot short interviews with jazz club patrons at two leading clubs in Shanghai: the JZ Club and Jazz@Lincoln Center (JALC). Yes, the famed JALC in New York City (of Wynton Marsalis, Musical Director fame) has a club in Shanghai. The crew garnered over two dozen interviews. The kicker is all these interviews are in Mandarin. Tomorrow, we will overdub these interviews with the English translations at Onomatopoeia, a leading New York City audio recording/mixing studio. I’ve hired two voice over talents for the recording session. One for the male interviews, the other (obviously) for the female interviews. Next week, another crew in Beijing will record interviews with jazz club patrons in China’s capital. These interviews add credibility to the observation that jazz appeals to a young audience in China.
FEBRUARY 3, 2021
Several people have asked for some clarification on what the “Jazz in China” documentary is about. Here’s the story:
“Jazz in China” tells the paradoxical 100-year story of how jazz–a democratic form of music–exists and thrives in China–a country with a long tradition of adherence to central authority. Through interviews with leading, indigenous jazz musicians, sinologists and historians in Beijing, Shanghai, and Guangzhou, the documentary reveals the significant influence of African-American jazz musicians and 20th century technologies on the spread of this democratic form of music that appeals to a largely young Chinese audience.
JANUARY 26, 2021
The editing of the “Jazz in China” documentary is proceeding. Dr. Marlow and his editor Kevin Schreck have virtually completed editing what the various characters in the documentary have to say. Although it is anticipated, there’ll be some more refinements as the documentary nears completion. Now comes the job of dropping in B-roll: a truckload of archival video material and still graphics. So far, it looks like this documentary will run somewhere between 80–90 minutes. Ninety-nine percent of the interviews in the documentary were conducted via Zoom over the summer of 2020. Marlow and Schreck are making editing decisions also by Zoom in one-two hour sessions. By sharing his screen, Marlow can see what Kevin Schreck is accomplishing. The system works!
JANUARY 14, 2021
With the assistance of the fundraising arm of Baruch College (City University of New York) where Dr. Marlow has been teaching courses in media and culture for over 30 years, the college launched a fundraising site to help raise the $10,000 necessary to complete the “Jazz in China” documentary project. These funds are needed to cover the costs of editing, recording English voiceovers of Mandarin-speaking interviewees in Beijing and Shanghai, China, an audio/music mix, color correction, and licensing. Contributors to the documentary will, at the very least, receive mention in the closing credits, among other possible rewards.
The central story of the “Jazz in China” documentary is the presence of a democratic form of music–jazz–co-existing in a country with a long history of adherence to a central authority–China–for the last 100 years!
JANUARY 2021
Producer/Director Eugene Marlow is working steadily with editor Kevin Schreck on editing the documentary into a 75-minute length program. Dr. Marlow is aiming to complete the documentary for release by April 30, 2021, International Jazz Day.
DECEMBER 15, 2020
In response to the call for a freelance animator to create a 10-second opening animation title sequence for the feature length documentary, producer/director Eugene Marlow received close to 300 resumes. Mo Qian was chosen out of this pool. Qian came up with just the right graphic concept for the opening title sequence: a horizontal Chinese scroll surrounded by still graphics of 18 of the “characters” included in the program. The title of the documentary is presented in both Mandarin and English. It was completed in late December 2020.
NOVEMBER 4, 2020
MEII Enterprises is looking for a freelance graphic artist/animator to work with producer/director Eugene Marlow on the feature length jazz in China documentary. He and editor Kevin Schreck have been working on condensing many hours of at least a dozen new interviews conducted over the summer of 2020. The freelance graphic artist/animator will design and create a nine-second opening title, and work on numerous narrative billboards, transitions, and the closing credits. The chosen artist must be able to meld Chinese cultural aesthetics with traditional jazz icons. Dr. Marlow is looking to receive resumes and animation samples to his [email protected] email address. This freelance position is available immediately.
SUMMER 2020
Partly out of the constraints of the COVID-19 pandemic and partly out of a need to move the “Jazz in China” project forward, producer/director Eugene Marlow decided to use Zoom to conduct over a dozen interviews with leading jazz musicians and scholars for the project. Interviews were conducted in Beijing, Shanghai, Guangzhou, New York City, and various locations in the United States. Dr. Marlow was able to secure the services of two researchers to find individuals in these locations. The two researchers also conducted extensive research, finding appropriate B-roll footage to be included in the show.
SEPTEMBER 2019
Dr. Marlow decides to completely reframe the documentary and essentially chuck most of what had been previously edited. He decides to focus the documentary on the 100 years between the time jazz first appears in China in the early 1920s to the present, and to concentrate the interviews on leading Chinese jazz musicians (as opposed to the many ex-pats living and performing in China). This required a complete re-orientation of what interviews needed to be re-shot and how. Ironically, the COVID-19 pandemic provided an answer.
AUGUST 2019
Dr. Marlow puts out a call for a video editor/producer to work with him on re-shaping his jazz in China documentary. Selects Kevin Shreck out of a pool of 12 candidates.
MAY 2019
Dr. Eugene Marlow presents a 30-minute rough-cut/sampler of his Jazz in China documentary (based on his 2018 book) at the Pitkin County Library, Aspen, Colorado.
APRIL 29
Dr. Eugene Marlow presents a 30-minute rough-cut/sampler of his Jazz in China documentary (based on his 2018 book) to students at a Feit (honors) seminar dealing with “Jazz: Cultural Touchstone of the 20th Century” at Baruch College (City University of New York).
APRIL 2019
The Jazz Journalists Association nominates Eugene Marlow’s Jazz in China book as one of the five best books on jazz in 2018.
JANUARY 2019 UPDATE
The New York City Jazz Record lists Marlow’s Jazz in China book as one of the “10 Best Jazz Books of 2018.”
OCTOBER 2018 UPDATE
Two reviews of Jazz in China are in: Tom Cunniffe of Jazz History Online calls the book “a pioneering study.” And Kevin Canfield, in the November 2018 issue of New York City Jazz Record, writes: “Jazz in China is a sweeping, informative work of history.”
UPDATE
Author Dr. Eugene Marlow has been working for the last EIGHT months on a video documentary version of his jazz in China book. The documentary is due for release in 2020.
AUGUST 2018 UPDATE
The University Press of Mississippi releases the first edition of Marlow’s Jazz in China: From Dance Hall Music to Individual Freedom of Expression
UPDATE
The New York Foundation for the Arts (NYFA) agrees to serve as fiscal sponsor for Eugene Marlow’s documentary version of his book on jazz in China.
UPDATE
July 16, 2018: The University Press of Mississippi will release the first edition of Jazz in China: From Dance Hall Music to Individual Freedom of Expression. Author Eugene Marlow, Ph.D., reviewed page proofs in December 2017.
UPDATE
August 2014. A prospective publisher has sent out the manuscript for review.
UPDATE
June 2014. Eugene Marlow, Ph.D., recently completed an edited draft of his book on jazz in China. It is now a 100,000+ word, 20 chapter work. The manuscript has taken years to research–including a month-long trip in 2006 to Beijing and Shanghai to interview indigenous jazz musicians. Dr. Marlow hopes to have the book in the hands of readers by late 2015.
Jazz in China (working title) (copyright 2006) historically contextualizes, describes, and analyzes jazz in mainland China in the early 1900s (primarily in Shanghai), its partial demise in the mid-1930s following the invasion of China by the Japanese, its eradication following the later dominance of the Communist party, and then its re-emergence circa 1980 with the new vision of the Chinese government following the death of Mao Tse Tung in 1976.