Eugene Marlow
High Tech/Hi Touch in Action: Social Media’s Impact on Today’s Working Musician (Part 1 of 2)
The Marlowsphere (#30) The 2012 Association of Performing Arts Professionals (APAP)/JazzTimes/Jazz Journalists Association (JJA)/Chamber Music...
“We’ve Got Rhythms”: Where The Heritage Ensemble Gets Its Spin & Groove
The Marlowsphere Blog (#29) Last week I posited that in today’s music world no music...
What Is World Music and How Did We Get Here?
The Marlowsphere (#28) In his 2005 book The World Is Flat: A Brief History of...
Congratulations Bobby Sanabria –“Multiverse”CD release
"Multiverse" is receiving outstanding reviews: “The Nuyorican jazz giant is a stylistic sponge, historical repository...
Pay to Play: Why Some Club Owners Should be Shown the Door
The Marlowsphere (#27) For the last few weeks I’ve been writing about indigenous jazz musicians in...
Ms. Joey Lu: Shanghai Jazz Singer/Pianist
The Marlowsphere (#26) This week's blog is a profile of Ms. Joey Lu from my forthcoming...
Chinese-American-born, Shanghai, China-based Guitarist Lawrence Ku
The Marlowsphere (#25) This week’s blog is the third in a series of profiles of indigenous...
Saxophonist & Teacher Zhang Xiaolu: The Jazz-Man at the Shanghai Conservatory of Music
The Marlowsphere (#24) This week’s blog is the second in a series of profiles of...
