The Marlowsphere Blog

Singer Dianne Reeves on "Jazz @ Lincoln Center" program cover

Dianne Reeves & Company Fill The Rose Room @ JALC with Sound, Intimacy, & Humanity

The Marlowsphere Blog (#169) QUESTION: How do you fill the 1,233-seat Rose Room at Jazz...
APAP and ICE Logos

What Do You Do When ICE Shows Up at Your Performance Venue?

The Marlowsphere (Blog 167)   On August 11, 2025, the Association of Performing Arts Professionals...
Pirates, The Penzance Musical Play Bill

A “Relaxed” “Pirates of Penzance” Performance

W. S. Gilbert and Arthur Sullivan The Marlowsphere (Blog #164) While...
Colorful "Q" logo with rainbow gradient.

“Queerly Beloved”: The Queer Urban Orchestra Concert, A Review

The Marlowsphere (Blog #161) The Queer Urban Orchestra (QUO) concert March 15, 2025—at St. Ann...
A tree with leaves on it and the words creative resilience.

“Creative Resilience” by Erica Ginsberg, A Book for All Artists

The Marlowsphere (Blog #160) Once in a while you pick up a book, start reading...
There's an echo, echo, echo. . .

Part II: “It’s Suffocating” When Young Women from South East Asia Hit A Cultural Wall

Marlowsphere (Blog #155) In Part I of this blog (posted last week), Female Student (FS)...
Pakistan, literacy, Women, Independence

Part I: “It’s Suffocating” When Young Women From South East Asia Hit A Cultural Wall

Marlowsphere (Blog #154) Question:  What happens when a young person, especially a young female person...
Max Borak, 11 year old singer

Update: The Max Borak Story

Marlowsphere (Blog #153) This is a follow up to my 2016 blog “Kids + Jazz...
Zoom Logo

A Guide to “Zoomiquette”

Marlowsphere (Blog #152) In the early days of the World Wide Web (introduced to the...
Sociologist William Fielding Ogburn

How Old is Multimedia?

The Marlowsphere (Blog #149) It is a truism that laws more often than not lag...