The Marlowsphere Blog
Bravo Local TV News (For a Change)
The Marlowsphere Blog (#35) Coverage of Hurricane Sandy by local New York City broadcast television...
Our Concept of the Universe . . .
The Marlowsphere Blog #34 Our concept of the universe is only as good as the...
Paradoxes & Contradictions: Journalism in the Age of Electronic Speed
The MarlowSphere (#33) The 80-year-old news-magazine Newsweek recently announced that come January 1, 2013 it...
“Adam”: Virtuoso Bass Player (Beijing) & Festival Organizer
The Marlowshpere (#32) This week’s blog is a continuation of profiles, from early September, of...
Putting It All Together: The Profitable Artist (Part 2 of 2)
The Marlowsphere (#31) Last week’s blog pointed to futurist John Naisbitt’s “Hi-Tech/Hi-Touch” projections with respect...
High Tech/Hi Touch in Action: Social Media’s Impact on Today’s Working Musician (Part 1 of 2)
The Marlowsphere (#30) The 2012 Association of Performing Arts Professionals (APAP)/JazzTimes/Jazz Journalists Association (JJA)/Chamber Music...
“We’ve Got Rhythms”: Where The Heritage Ensemble Gets Its Spin & Groove
The Marlowsphere Blog (#29) Last week I posited that in today’s music world no music...
What Is World Music and How Did We Get Here?
The Marlowsphere (#28) In his 2005 book The World Is Flat: A Brief History of...
